"Franny (and Zooey) for Piano Duet". Tuesday, September 20th, 2011

"Franny (and Zooey) for Piano Duet"
by Marya Alford, in collaboration with Ron McBain
Tuesday, September 20th at 7:30pm
Women's Twentieth Century Club of Eagle Rock
5105 Hermosa Avenue Los Angeles, CA 90041-1316





Franny and Zooey for Piano Duet is a work conceived as a performance of two pianists, one male and one female, performing a musical composition based on every element of punctuation in J.D. Salinger's short stories, Franny and Zooey. This will be the premiere of "Franny".

The composition consists of the artist’s transcription of the various punctuation from each line of "Franny and Zooey" to a blank page of manuscript paper. Each color designates a different type of punctuation in the story. For instance, pencil stands in for periods, orange for commas, green for question marks and so on. This system also designates each type of punctuation as a certain type of note (periods equal whole notes, commas equal quarter notes, apostrophes equal grace notes, colons and semi-colons equal dotted half notes, etc.) Alford has been working with musician and pianist, Ron McBain to finalize the composition for piano duet. Together they have added phrasing and dynamics to the piece and transferred the first transcription to readable musical notation.

 Full description and additional images > 




Suggested Reading. Opening reception: Saturday, July 23, 6-9 p.m. Presented by The Fellows of Contemporary Art

Suggested Reading is an exhibition that is inspired by literature. It features LA-based artists Marya Alford, Candice
Lin, Jay Lizo, Catherine Lord, and Marco Rios, whose visual works are influenced by and respond to specific writing,
ranging from historical texts to poems.

Marya Alford creates a duet for piano based on the punctuation marks in J.D. Salinger’s Franny and Zooey; Candice
Lin’s sculptural drawings respond to the fetishization and racialization of women miners from England that occur in
Arthur Munby’s Victorian-era texts; Jay Lizo creates a sculpture with animations that pay homage to the Lettrist art
movement and Gabriel Pomerand’s poem Saint Ghetto of the Loans; Catherine Lord turns her attention and camera
toward the simultaneously intimate and public dedications found in several influential books by queer writers; and
Marco Rios channels his inner Dr. Jekyll and Mr. Hyde in sculptures that involve equal parts romance and horror.

A limited-edition publication will accompany the show and will include writing by Sarah Balcomb, Teresa Carmody,
Moyra Davey, Daniel Hockenson, Douglas Kearney, and Benjamin Weissman.

There will also be two public programs during the run of the exhibition:

Franny and Zooey for Piano Duet: September 20th at the 20th Century Women's Club in Eagle Rock, CA.
This will be the premiere performance of this musical composition, created by Marya Alford, based on every element
of punctuation in J.D. Salinger's short story Franny and Zooey

Catalogue release party/afternoon of readings: September 24, FoCA exhibition space


The Fellows of Contemporary Ar
970 N. Broadway, Suite 208
Los Angeles, CA 90012

For more information:
213-808-1008
www.focala.org
foca@focala.org






Chronologies of History, 1921-2005

Location: Robert F. Kennedy Community Schools, Inspiration Park. Former site of the Ambassador Hotel.

For this project I have been able to develop a work that has given thoughtful consideration to the social, historical and political history of this site within Los Angeles and within the world. After working through many ideas for this site, I came to a work that does not stand as a visual presence but instead an auditory one. When researching this site, I came to a history involved primarily within celebrities, political figures, and musicians. The Ambassador Hotel and the Cocoanut Grove stood as a foundation for many talented, upcoming stars. This new learning center that now takes it’s place, can be recognized in a similar vain, as a starting point for many gifted, ambitious students. I wanted to create a work that maintained this site as such and always kept it’s history present throughout the life of the new learning center.

Starting in the 1930’s the Cocoanut Grove had its own radio broadcast equipment and would live broadcast many concerts and shows to the Los Angeles area, such as Bing Crosby and The Rhythm Boys. People would hear these on the radio and increasingly assemble at the Grove for these performances. At the time this was a new technology and allowed for a sort of advertising for the Ambassador. It created an air of excitement.

I have created two benches each with an audio component. The artwork is located in two areas of the RFK Inspiration Park along Wilshire Blvd adjacent to the Robert F. Kennedy Community Schools. Each bench site has one speaker and motion detector installed beside it on a concrete pedestal. (The concrete pedestal was not designed or created by the artist. It was built and designed by LAUSD and Hensel Phelps.) The speaker is connected to the motion detector and then connected (via underground wiring) to a sound amplifier system (enclosed in the electrical room). When a person walks up to the bench the motion detector senses their presence sending a relay to the speaker to turn on. The amplifier continuously plays the sound files on loop. Therefore if someone sits for 5 minutes listening, then gets up to get lunch and returns the sound will be at a different time in the sound file. The sound emitted is only heard while seated on the bench or around the immediate vicinity of the bench. The volume of both speakers can be adjusted on the sound amplifier in the electrical room. The duration of the motion detectors can also be adjusted. This refers to the amount of time the speaker stays on after it is triggered by movement. Currently it is set at approximately 7 minutes, meaning the speaker will remain on for 7 minutes after being triggered by motion.

The sound portion of the artwork is a collection of sound derived from the Ambassador Hotel and Cocoanut Grove. Instead of being a ‘tour’ of the site (in the literal sense), it functions as a documentary collage of music, interviews, newspaper articles, speeches and stories of the Ambassador site. Examples of the different sounds are: The Freddy Martin Orchestra, Judy Garland’s At the Grove (album recorded live at the Grove), The Gus Arnheim Band, Sammy Davis Jr.’s At the Cocoanut Grove (album also recorded live at the Grove), Bing Crosby and The Rhythm Boys, portions of Robert F. Kennedy’s final speech at the Ambassador Hotel, recorded radio broadcasts from the Cocoanut Grove, newspaper articles found on the Grove and Hotel, and various interviews and stories from those who worked, performed or visited the Ambassador Hotel. The sound is edited in sections with linking relationships to different edits based on subject or date. All music used has been recorded at the Cocoanut Grove. The total duration of the sound artwork is approximately 8 hours total. Each bench has the same sound file.

The bench design is an adaptation of an original bench found at the Ambassador Hotel. I was interested in keeping something reminiscent of the original while also having a structure that spoke to its present time. The back and armrests have been "removed" from the design and the lines of the original design are cleaned up. Each top of the two benches differs in pattern and is created from sandblasted black granite. The tops are based on different patterns found at the Ambassador, one a concentric square tile found near the swimming pool and the other, an art deco design found within the Cocoanut Grove. The base of each bench is identical to one another composed of stainless steel and powder coated white.

This work speaks to the original foundation of the hotel and the Cocoanut Grove. The artwork presents an audio historical account of the site based in celebrities and entertainers, but also gives a personal account from those who visited the site from their private memories. It is my hope that the public can enjoy this artwork, taking time to sit and listen to the sounds, remembering back to a time that was once present at the space they now sit.



East Bench




West Bench




Original Ambassador Hotel Benches








Session_7_Words at Am Nuden Da, London

Session_7_Words at Am Nuden Da, London
Private View Friday 4th December 2009_6-9
Show open 5th and 6th December 2009_1-6
http://amnudenda.com

An exhibition dedicated to words, conceived with LA based journal Material (L).

Am Nuden Da is pleased to present an exhibition focused on artists’ use of the written word.
82 Artists have been invited to email a ‘text piece’ to Am Nuden Da who, using a standardised format, have copied and pasted each submission onto a single sheet of A4. All pieces are set in Arial, the default typeface, at point 10 size. This dogmatic method represents an attempt to foreground language ahead of design, layout and graphic appearance.

The nature of the exhibition in many respects owes its being to the conceptual art of the 1960s. Here, the denial of object is emphasised by the operations of modern logistics – the email allows for artworks to be virtually ‘shipped’ from all over the world, leaving and arriving as nothing but thought. The mechanisms of information technology seems somewhat like a logical extension of the conceptual project of previous generations.

Session_7_Words includes works by artists of several generations, presenting an insight into what written language constitutes within a broad range of contemporary art practices. The levelling parameters of presentation that have been imposed by the curators are intended to set such generational concerns aside and open the works up for a more general study.

The exhibition is curated by Am Nuden Da and Material to coincide with the launch of Material (Issue 2) at London’s Whitechapel Gallery on Thursday 3rd December.

_____________________

Material, first published in 2007 is an annual LA based journal of writing by artists.
http://www.materialpress.org

_____________________

Am Nuden Da is an independent artist-run space in East London.

Am Nuden Da
7 Ravenscroft Street London E2 7SH
nuden@amnudenda.com
http://amnudenda.com



Upcoming Show: In Real Time ASDF March 28th 4-8pm

IN REAL TIME ASDF Saturday 28 March 4–8pm

With Mylinh Nguyen sitting in Capricious and David Horvitz chatting live from Golden Age in Chicago, ASDF will make available an ephemeral show of 48 artists existing for only 4 hours. Each art work will be available, one at a time, for only 5 minutes. The works will be sized to print and available for download (also including instructions so that viewers may print the works using basic consumer technologies). After the 4 hours are up all the original files will be deleted. Be there in person & online!

www.letsmeetinreallife.com
www.capriciousspace.com
www.asdfmakes.com

List of 48 Artists:

Marya Alford
Paul Branca
Emily Mast
Mira O'Brien
Martin John Callanan
eteam
Emilie Halpern
Lindsay Ljungkull
Michael Smoler
Maja Fink
Marijke Appelman
Lukas Geronimas
Chris Austin
Josh Kit Clayton
John Pena
Ken Ehrlich
Lucy Raven
John Sisley
Mylinh Nguyen/ David Horvitz
Ginny Cook
Graham Parker
Avalon Kalin
Jim Skuldt

 

Tony Papin
Cody Trepte
Jessica Sowls
Michael Bauer
Penelope Umbrico
Guthrie Lonergan
Tamara Sussman
Ye Rin Mok
Kim Schoen
Best Friends
Leslie Kuo
Jennifer Delos Reyes
Jessica Williams
David Rothenburg
Eric Zimmerman
Alex Klein
Anouk Kruithof
Luke Fischbeck / Sarah Ra Ra
Adam Katz/ Julia Sherman
Zach Houston
Marco Kane
Margot Knight
Martine Syms
Laurel Kurtz